古玩城2020精品推荐第九期:李可染《牧牛图》

发布时间:2020-11-27 21:34:15   来源:未知  

李可染(1907年3月26日—1989年12月5日),江苏徐州人。中国近代杰出的画家、诗人,画家齐白石的弟子。李可染自幼即喜绘画,13岁时学画山水。43岁任中央美术学院教授,49岁为变革山水画,行程数万里旅行写生。72岁任中国美术家协会副主席、中国画研究院院长。晚年用笔趋于老辣。擅长画山水、人物,尤其擅长画牛。

Li Keran (March 26, 1907 - December 5, 1989) was born in Xuzhou, Jiangsu Province. He is the outstanding painter of modern China. Li Keran was fond of painting since he was young, and learned landscape painting at the age of 13. At the age of 43, he was a professor at the Central Academy of fine arts. At the age of 49, he traveled tens of thousands of miles to sketch from nature to transform landscape painting. At the age of 72, he was vice chairman of China Artists Association and President of Chinese Painting Research Institute. In his later years, his pen became old and hot. He is good at painting landscapes, figures, especially cattle.

代表画作有《漓江胜境图》、《万山红遍》、《井冈山》等。代表画集有《李可染水墨写生画集》、《李可染中国画集》、《李可染画牛》等。

His representative paintings include the picture of Lijiang River, the red mountains and Jinggangshan. Representative works include Li Keran's ink and wash painting collection, Li Keran's Chinese painting collection, and Li Keran's painting cattle.

 

 

李可染是一位用画吟诗的大诗人,他的画无不具有诗意,而牧牛图就是他的田园诗。这幅绘画,江南田野,牧童骑在牛背,踏着暮色,悠然归去……抒发了牧童与水牛间的亲密关系,李可染画的水牛,气宇轩昂,质朴无华,有独特风姿。用墨恰到好处,墨的层次变化把牛靠在一起的身体区分得很清晰,以淡墨、浓墨、焦墨,渍染、溢染之法出之,水牛的质感、动感跃然纸上,牛角及牧童衣纹线条,笔法古拙,极具力度感,笔力遒劲老辣,看似信手挥洒,却处处妙趣横生。

Li Keran is a great poet who recites poems with paintings. His paintings are all poetic, and the picture of cattle herding is his pastoral poetry. This painting shows a shepherd boy riding on a cow's back in a field in the south of the Yangtze River Li Keran expressed the close relationship between the shepherd boy and the buffalo. The buffalo depicted by Li Keran is magnificent, simple and unique. The use of ink is just right. The change of ink levels clearly distinguishes the cattle's bodies together. With the methods of light ink, thick ink, scorched ink, waterlogging and overflow dyeing, the texture and dynamic of buffalo appear on the paper. The lines of ox horn and shepherd boy's clothing are ancient and unsophisticated, with a strong sense of strength. The strokes are vigorous and spicy. They seem to be freely wielded, but they are full of fun.

 

 

 

那天真的牧童,摇曳的树枝始终传递着细腻、含蓄的感情,完全是中国格调。生活的意趣和缕缕温馨的气息令人神往。他在牧牛图中的笔墨是最大胆、最豪放、最无所顾忌的,章法结构也最新奇。因为画牧牛图的时候,他的心情最放松、最无负担,所以他往往能画得随心所欲。因此,李可染的一些笔精墨妙之作,常常出现在牧牛图系列之中。故此,李可染的牧牛图和他的山水画一样,是成就其艺术人生的双高峰。

That naive shepherd boy, swaying branches always convey delicate and implicit feelings, which is completely Chinese style. The interest of life and the continuous warm breath are fascinating. In the painting of cattle herding, his ink is the most bold, bold and unconstrained, and the structure of his composition is also the most novel. Because when drawing the picture of cattle herding, his mood is the most relaxed and the least burdenless, so he can always draw as he pleases. Therefore, some of Li Keran's masterpieces of pen and ink often appear in the series of cattle herding pictures. Therefore, Li Keran's cattle painting, like his landscape painting, is the double peak of his artistic life.

 

 

 

 

 

广州美术学院李公明教授说:“在新中国画改造过程中,李可染的写生山水和红色山水在这一新传统中所取得的成就是具有原创性意义的。” 

Professor Li Gongming of Guangzhou Academy of fine arts said: "in the process of the transformation of new Chinese painting, Li Keran's achievements in sketching landscapes and red landscapes in this new tradition are of original significance."

 

沈鹏先《李可染书画全集·书法卷·序》中说:“书法既是李可染的余事,也是他的全部艺术活动的重要部分。说余事,因为书法只占用他从事绘画以外的较少时间,并且与绘画的数量比较占据次位。但是,从书画理法相同的意义来说,从笔法与结构的最抽象的原则来说,书法就不仅不是余事,而是可染艺术十分重要的基础工程了。”

Shen Pengxian said in the complete works of Li Keran's calligraphy and painting · calligraphy volume · Preface: "calligraphy is not only Li Keran's remaining business, but also an important part of all his artistic activities. The reason is that calligraphy only takes up a small amount of time besides painting, and it takes second place compared with the number of paintings. However, from the same meaning of calligraphy and painting theory, and from the most abstract principle of brush technique and structure, calligraphy is not only a chore, but also a very important basic project of dyeable art. "

 

李可染的儿子李小可接受采访时说“我父亲让我们最为受益的是他对待艺术和人生的态度,他的故事背后反映出来的是他对艺术的态度。”

Li Xiaoke, Li Keran's son, said in an interview that "what my father benefited most from was his attitude towards art and life. What his story reflects is his attitude towards art."

 

老舍在《李可染水墨写意画展》的撰文中说“在穷苦中,偶尔能看到几幅好画,精神为之一振。”

Lao she wrote in the exhibition of Li Keran's freehand brushwork that "in poverty, I can occasionally see a few good paintings, and my spirit is invigorated."

 

吴作人在《李可染中国画展》的序言中说:“艺术天地至广,而于山水匠心独运。峰恋隐显,云烟吞吐,乃古人所未逮;岚影树光,以墨胜彩,创境界以推陈。”

In the preface of Li Keran's Chinese painting exhibition, Wu Zuoren said: "art has a wide range of fields, but it is ingenious in landscape. The love between the peaks is hidden, and the clouds are filled with smoke, which was never caught by the ancients. The haze, shadow and tree light, win the color with ink, and create a realm to push forward the old. "

 

此幅近现代著名绘画大师李可柒先生力作,有他儿子李小可的鉴定提签,是不可多得的收藏珍品!

This painting is a masterpiece by Mr. Li Keqi, a famous painter in modern times. It has been appraised and signed by his son Li Xiaoke. It is a rare collection treasure!

1999年,在中国嘉德拍卖会上,李可染的《万山红遍》(2.8平尺)一举夺魁,成交价高达407万元,创造了当时李可染作品拍卖的最高价位,也创造了中国画单平尺最高价位,顿时震动了整个书画界及拍卖市场。

In 1999, Li Keran won the first prize in China's Jiade auction, with a transaction price of 4.07 million yuan, which created the highest auction price of Li Keran's works and the highest price of Chinese painting sheet, which immediately shocked the whole painting and calligraphy industry and the auction market.

 

同为这一系列,2000年,在北京荣宝拍卖会上,另一件《万山红遍》(3.1平尺),在多位买家的激烈竞投下,价格一路飙升,最后在501.6万元的价位上一锤定音,使李可染作品的拍卖价和中国画单平尺价又创新高。

For the same series, at the Beijing Rongbao auction in 2000, the price of another piece, Wanshan Hongquan (3.1 square feet), soared all the way under the fierce bidding of many buyers. Finally, the price was settled at the price of 5.016 million yuan, making the auction price of Li Keran's works and the price of Chinese painting sheet reaching a new high.

 

 

 

 

 

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